Other evidence is a series of portraits of Luther and his loved ones, notably of his daughter Magdalena who died when she was 7, and can be seen at the Louvre. They instantly became friends and never failed to help each other: Luther was the godfather of Cranach’s daughter and Cranach was Catherine Bora’s witness when she married Luther. Upon the posting of the 95 theses in Wittenberg, Cranach took sides with Luther. He was also asked to become member of the City Council and was the burgomaster at different times. He set up his workshop there, became the owner of a pharmacy, which enabled him to develop lucrative activities he also bought a printing shop, the very one where Luther has his theses and later his translations of the Bible printed. His occupation made him a public figure in Wittenberg. Besides the portraits of reigning princes he was appointed to make, Cranach also painted one of Charles V. Until he died in 1553, he was the official painter at the court of Saxony. In 1502 he was called to the court of Saxony by Frederick II the Wise, prince Elector of Saxony and settled in Wittenberg. They display, among other qualities, a renewed aspect of the nude, for instance his famous Venus dated 1529 and the Three Graces, both at the Louvre Museum in Paris. Many of his works were on religious themes, but he also dealt with lay themes, mostly mythological. He quickly became famous thanks to his highly intense religious paintings, such as the Martyrdom of Saint Katherine in 1506. He was born in Kronach in Upper Franconia in 1472 and probably learned painting and engraving in Vienna, Austria. Protestant, Anglican and Orthodox intra-confessional Ecumenism.Jubilees and commemorations of the Reformation. Heritage of museums, historical societies and individuals.History and architecture of the temples. Art - Heritage Protestants have largely participated in the development of arts and heritage: architecture, engravings, literature, music….
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